<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>Visual Rhetoric on Keren Wang</title>
    <link>/tags/visual-rhetoric/</link>
    <description>Recent content in Visual Rhetoric on Keren Wang</description>
    <generator>Hugo</generator>
    <language>en-us</language>
    <lastBuildDate>Mon, 29 Sep 2025 03:44:29 +0000</lastBuildDate>
    <atom:link href="/tags/visual-rhetoric/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>Understanding Advertising through Consumer Psychology and Computational Rhetoric</title>
      <link>/teaching/2025/09/understanding-advertising-through-consumer-psychology-computational-rhetoric/</link>
      <pubDate>Mon, 29 Sep 2025 03:44:29 +0000</pubDate>
      <guid>/teaching/2025/09/understanding-advertising-through-consumer-psychology-computational-rhetoric/</guid>
      <description>&lt;div&gt; &lt;/div&gt;
&lt;!-- wp:html --&gt;
&lt;p&gt; &lt;/p&gt;
&lt;div&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;table style=&#34;border-collapse: collapse; width: 100%;&#34;&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td style=&#34;width: 100%;&#34;&gt;
&lt;h2&gt;&lt;span style=&#34;font-size: 24pt;&#34;&gt;&lt;strong&gt;&lt;span style=&#34;font-style: italic;&#34;&gt;Table of Contents&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div&gt;
&lt;blockquote&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;#h.26n593d62ttq&#34;&gt;&lt;span style=&#34;font-size: 18pt;&#34;&gt;What Do You See?&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&#34;font-size: 18pt;&#34;&gt;&lt;a href=&#34;#h.wyeqkw7puh5d&#34;&gt;Historical &#34;Thickness&#34; of Advertising&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&#34;font-size: 18pt;&#34;&gt;&lt;a href=&#34;#h.4d5153j28kaw&#34;&gt;Demonstrative and Associative Ads&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&#34;font-size: 18pt;&#34;&gt;&lt;a href=&#34;#h.uh0fxgv2a95c&#34;&gt;Advertising &amp;amp; Consumer Psychology&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&#34;font-size: 18pt;&#34;&gt;&lt;a href=&#34;#h.qsu3bpa0yb2l&#34;&gt;Bandwagon &amp;amp; Anti-Bandwagon Effects&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&#34;font-size: 18pt;&#34;&gt;&lt;a href=&#34;#h.vi7g0j3q3k9t&#34;&gt;Social Marketing &amp;amp; Exploitation&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&#34;font-size: 18pt;&#34;&gt;&lt;a href=&#34;#h.iidw96apa7dh&#34;&gt;Computational Rhetoric of Hyper-Personalization&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;h2&gt;&lt;img alt=&#34;&#34; class=&#34;aligncenter size-full wp-image-1065&#34; height=&#34;719&#34; src=&#34;/images/uploads/2025/09/Advertising-header.gif&#34; width=&#34;1280&#34;/&gt;&lt;/h2&gt;
&lt;h2 class=&#34;c17&#34; id=&#34;h.26n593d62ttq&#34;&gt;&lt;span class=&#34;c8 c29 c16&#34; style=&#34;color: #ccffff;&#34;&gt;What Do You See?&lt;/span&gt;&lt;/h2&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p class=&#34;c3&#34;&gt;&lt;span class=&#34;c8 c4&#34;&gt;Let’s begin today’s lesson with a quick glance at these sets of images. What do they remind you of?&lt;/span&gt;&lt;/p&gt;</description>
    </item>
    <item>
      <title>Lesson on Data Visualization and its Misuses</title>
      <link>/teaching/2024/11/lesson-on-data-visualization-and-its-misuses/</link>
      <pubDate>Tue, 12 Nov 2024 01:05:28 +0000</pubDate>
      <guid>/teaching/2024/11/lesson-on-data-visualization-and-its-misuses/</guid>
      <description>&lt;h4&gt;&lt;b&gt;Posted by Keren Wang, FA 2024&lt;/b&gt;&lt;/h4&gt;&lt;hr/&gt;
&lt;h6&gt;&lt;b&gt;In this session, we aim to achieve several key learning objectives:&lt;/b&gt;&lt;/h6&gt;
&lt;ul&gt;
&lt;li aria-checked=&#34;false&#34; aria-level=&#34;1&#34;&gt;&lt;b&gt;Understand the fundamental principles of framing and visual rhetoric,&lt;/b&gt; exploring how they shape the design and interpretation of data visualizations.&lt;/li&gt;
&lt;li aria-checked=&#34;false&#34; aria-level=&#34;1&#34;&gt;&lt;b&gt;Examine the art of designing and manipulating graphic systems of signs&lt;/b&gt; that disclose or conceal specific quantitative or qualitative information.&lt;/li&gt;
&lt;li aria-checked=&#34;false&#34; aria-level=&#34;1&#34;&gt;&lt;b&gt;Identify common types of data visualizations,&lt;/b&gt; such as bar charts, pie charts, line graphs, and network graphs, along with their appropriate applications.&lt;/li&gt;
&lt;li aria-checked=&#34;false&#34; aria-level=&#34;1&#34;&gt;&lt;b&gt;Recognize the advantages and potential misuses of data visualizations,&lt;/b&gt; including manipulative techniques like framing and scaling distortions.&lt;/li&gt;
&lt;li aria-checked=&#34;false&#34; aria-level=&#34;1&#34;&gt;&lt;b&gt;Critically analyze real and hypothetical examples&lt;/b&gt; to detect misleading or biased visual representations.&lt;/li&gt;
&lt;li aria-checked=&#34;false&#34; aria-level=&#34;1&#34;&gt;&lt;b&gt;Develop best practices for creating clear, honest, and effective data visualizations,&lt;/b&gt; ensuring accuracy and ethical integrity.&lt;/li&gt;
&lt;/ul&gt;
&lt;hr/&gt;
&lt;h2&gt;&lt;b&gt;Photography and Visual Rhetoric&lt;/b&gt;&lt;/h2&gt;
&lt;p&gt;To truly grasp the fundamental principles and perils of data visualization, we must journey back to the birth of photography and photojournalism. When photography was first employed in news reporting, it carried an inherent demand for credibility. Unlike paintings or sketches, photographs were perceived as unfiltered, unmediated representations of reality. Ironically, as our discussion will reveal, even from its inception, &lt;a href=&#34;https://en.wikipedia.org/wiki/Photograph_manipulation&#34;&gt;photojournalism was subject to rhetorical manipulation&lt;/a&gt;.&lt;/p&gt;</description>
    </item>
    <item>
      <title>Persuasion and Propaganda - Supplementary Reading on Visualizing Propaganda (Emory, FA23)</title>
      <link>/teaching/2023/11/chn375w-persuasion-and-propaganda-supplementary-reading-on-visualizing-propaganda-fa2023-emory-university-realc/</link>
      <pubDate>Thu, 16 Nov 2023 11:36:19 +0000</pubDate>
      <guid>/teaching/2023/11/chn375w-persuasion-and-propaganda-supplementary-reading-on-visualizing-propaganda-fa2023-emory-university-realc/</guid>
      <description>&lt;h1&gt;&lt;b&gt;Key Concepts: Visualizing Propaganda&lt;/b&gt;&lt;/h1&gt;
&lt;figure&gt;
  &lt;img alt=&#34;&#34; class=&#34;wp-image-708&#34; height=&#34;290&#34; src=&#34;/images/uploads/2023/11/Antagonistic-soverignty-1024x742.jpg&#34; width=&#34;400&#34;/&gt;
  &lt;figcaption&gt;Jenne, Erin K. “Varieties of Nationalism in the Age of Covid-19.” Nationalities Papers 50, no. 1 (2022)&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;b&gt;Antagonistic sovereignty:&lt;/b&gt;  Antagonistic sovereignty refers to two types of divisive portrayals. The first is an &lt;em&gt;in-out&lt;/em&gt; depiction, which alienates and demonizes individuals who are not citizens of the nation (&amp;ldquo;non-nationals&amp;rdquo;). The second is an &amp;lsquo;up-down&amp;rsquo; depiction, targeting and vilifying the upper echelons of society, including the &amp;rsquo;elites&amp;rsquo; and the &amp;rsquo;establishment&amp;rsquo;. [1]&lt;/p&gt;</description>
    </item>
  </channel>
</rss>
