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    <title>Homunculus on Keren Wang</title>
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    <description>Recent content in Homunculus on Keren Wang</description>
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    <lastBuildDate>Mon, 01 Dec 2025 09:35:52 +0000</lastBuildDate>
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      <title>What Is AI? Part 2 – Demystifying AI Through Four Acts</title>
      <link>/blog/2025/12/what-is-ai-part-2-demystifying-ai-through-four-acts/</link>
      <pubDate>Mon, 01 Dec 2025 09:35:52 +0000</pubDate>
      <guid>/blog/2025/12/what-is-ai-part-2-demystifying-ai-through-four-acts/</guid>
      <description>&lt;div id=&#34;layout&#34;&gt;&lt;nav aria-label=&#34;Table of contents&#34; id=&#34;toc-container&#34;&gt;
&lt;h2&gt;&lt;span style=&#34;color: #00ccff;&#34;&gt;Table of Contents&lt;/span&gt;&lt;/h2&gt;
&lt;ul id=&#34;toc&#34;&gt;
&lt;li&gt;&lt;strong&gt;&lt;span style=&#34;color: #99ccff;&#34;&gt;&lt;a href=&#34;#introduction&#34; style=&#34;color: #99ccff;&#34;&gt;Introduction&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;&lt;span style=&#34;color: #99ccff;&#34;&gt;&lt;a href=&#34;#act-one&#34; style=&#34;color: #99ccff;&#34;&gt;Act One: AI as Metaphor and Speculative Frame for Procedural Automation (1980s–1990s)&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style=&#34;color: #99ccff; font-size: 14pt;&#34;&gt;&lt;a href=&#34;#from-labs-everyday&#34; style=&#34;color: #99ccff;&#34;&gt;From Laboratories to Everyday Life&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&#34;color: #99ccff; font-size: 14pt;&#34;&gt;&lt;a href=&#34;#cultural-imagination&#34; style=&#34;color: #99ccff;&#34;&gt;Cultural Imagination: Between Utopian and Dystopian Frames&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;&lt;span style=&#34;color: #99ccff;&#34;&gt;&lt;a href=&#34;#act-two&#34; style=&#34;color: #99ccff;&#34;&gt;Act Two: The Machine Learning Turn (Mid 1990s–2000s)&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style=&#34;color: #99ccff; font-size: 14pt;&#34;&gt;&lt;a href=&#34;#agentic-shift&#34; style=&#34;color: #99ccff;&#34;&gt;Agentic Shift From Static Programs to Adaptive Algorithms&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&#34;color: #99ccff; font-size: 14pt;&#34;&gt;&lt;a href=&#34;#wardrobe-recommender&#34; style=&#34;color: #99ccff;&#34;&gt;Illustrative Example: A Machine-Learning Wardrobe Recommender&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&#34;color: #99ccff; font-size: 14pt;&#34;&gt;&lt;a href=&#34;#paradoxes-ml&#34; style=&#34;color: #99ccff;&#34;&gt;Paradoxes of Machine Learning&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;&lt;span style=&#34;color: #99ccff;&#34;&gt;&lt;a href=&#34;#footnotes&#34; style=&#34;color: #99ccff;&#34;&gt;Footnotes&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/nav&gt;
&lt;figure&gt;
  &lt;img alt=&#34;Scene from the 1983 sci-fi thriller WarGames, directed by John Badham.The film dramatizes a near-catastrophe triggered by a military decision to entrust U.S. nuclear deterrence to an autonomous AI system that treats thermonuclear war as a solvable optimization problem.&#34; class=&#34;size-full wp-image-1241&#34; height=&#34;388&#34; src=&#34;/images/uploads/2025/11/WarGames-1983.gif&#34; width=&#34;660&#34;/&gt;
  &lt;figcaption&gt;&lt;span style=&#34;font-size: 12pt;&#34;&gt;&lt;strong&gt;&lt;span style=&#34;color: #ffcc99;&#34;&gt;Scene from the 1983 sci-fi thriller WarGames, directed by John Badham. &lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style=&#34;font-size: 12pt;&#34;&gt;&lt;span style=&#34;color: #ffcc99;&#34;&gt;The film dramatizes a near-catastrophe triggered by a military decision to entrust U.S. nuclear deterrence to an autonomous AI system that treats thermonuclear war as a solvable optimization problem. &lt;/span&gt;&lt;span style=&#34;color: #999999;&#34;&gt;Source: DVDXtras, “WarGames (1983) | Behind the Scenes,” Internet Archive, June 2, 2022. &amp;lt;&lt;a href=&#34;https://archive.org/details/youtube-5g4EdnMcDzg&#34;&gt;LINK&lt;/a&gt;&amp;gt;&lt;/span&gt;&lt;/span&gt;&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;h2&gt;&lt;span style=&#34;font-size: 18pt;&#34;&gt;*Continuing from:&lt;/span&gt; &lt;span style=&#34;font-size: 18pt; color: #00ccff;&#34;&gt;&lt;em&gt;&lt;span style=&#34;color: #99ccff;&#34;&gt;&lt;a href=&#34;/blog/2025/11/a-survey-of-imaginaries-mythologies-and-rhetorical-structures-of-thinking-machines-part-1/&#34; style=&#34;color: #99ccff;&#34;&gt;“What Is AI?” Part 1: A Survey of Imaginaries, Mythologies, and Rhetorical Structures of Thinking Machines&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;a href=&#34;/blog/2025/11/a-survey-of-imaginaries-mythologies-and-rhetorical-structures-of-thinking-machines-part-1/&#34;&gt;&lt;strong&gt;In the previous segment of our genealogical survey,&lt;/strong&gt;&lt;/a&gt; we have traced ancient imaginaries that seeded today’s visions of machine intelligence. From &lt;span style=&#34;color: #ffff99;&#34;&gt;&lt;strong&gt;Yan Shi’s mechanical performers&lt;/strong&gt;&lt;/span&gt; to &lt;span style=&#34;color: #ffff99;&#34;&gt;&lt;strong&gt;&lt;em&gt;Talos&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;’ bronze vigilance and the ritual logic of &lt;strong&gt;golems&lt;/strong&gt; and Homunculi, we explored how mythic prototypes shaped the rhetorical terrain on which “AI” would later emerge as a technological category.
&lt;p&gt;Whereas earlier societies used myth and ritual to make sense of uncanny forms of artificial agency and “thinking machines,” in this second part we turn from historical mythologies to present-day technological possibilities. The term “artificial intelligence” circulates in our cultural lifeworld with astonishing fluidity. It appears in commercials, policy reports, sci-fi movies, legal disputes, and everyday conversations. It is used to describe everything from basic computer programs to sophisticated generative models capable of complex knowledge-performance.&lt;/p&gt;</description>
    </item>
    <item>
      <title>&#34;What Is AI?&#34; Part 1: A Survey of Imaginaries, Mythologies, and Rhetorical Structures of Thinking Machines</title>
      <link>/blog/2025/11/a-survey-of-imaginaries-mythologies-and-rhetorical-structures-of-thinking-machines-part-1/</link>
      <pubDate>Mon, 17 Nov 2025 14:18:43 +0000</pubDate>
      <guid>/blog/2025/11/a-survey-of-imaginaries-mythologies-and-rhetorical-structures-of-thinking-machines-part-1/</guid>
      <description>&lt;p&gt;&lt;strong&gt;&lt;span style=&#34;color: #cc99ff;&#34;&gt;&lt;em&gt;*Online lesson module and WIP chapter draft.&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;h2&gt;&lt;span style=&#34;color: #00ffff;&#34;&gt;Table of Contents&lt;/span&gt;&lt;/h2&gt;
&lt;nav id=&#34;toc&#34;&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style=&#34;color: #ccffff;&#34;&gt;&lt;a href=&#34;#introduction&#34; style=&#34;color: #ccffff;&#34;&gt;Introduction&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&#34;color: #ccffff;&#34;&gt;&lt;em&gt;&lt;a href=&#34;#yan-shi&#34; style=&#34;color: #ccffff;&#34;&gt;Yan Shi&#39;s Automata&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&#34;color: #ccffff;&#34;&gt;&lt;em&gt;&lt;a href=&#34;#talos&#34; style=&#34;color: #ccffff;&#34;&gt;Talos&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&#34;color: #ccffff;&#34;&gt;&lt;em&gt;&lt;a href=&#34;#golem&#34; style=&#34;color: #ccffff;&#34;&gt;Golem&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&#34;color: #ccffff;&#34;&gt;&lt;em&gt;&lt;a href=&#34;#faust-homunculus&#34; style=&#34;color: #ccffff;&#34;&gt;Faust’s Homunculus&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&#34;color: #ccffff;&#34;&gt;&lt;a href=&#34;#long-arc&#34; style=&#34;color: #ccffff;&#34;&gt;The Long Arc of Artificial Imaginaries&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&#34;color: #ccffff;&#34;&gt;&lt;a href=&#34;#footnotes&#34; style=&#34;color: #ccffff;&#34;&gt;Footnotes&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/nav&gt;
&lt;hr/&gt;
&lt;section id=&#34;introduction&#34;&gt;When our own era proclaims artificial intelligence (AI) as the centerpiece of contemporary&lt;strong&gt; technological fetishism&lt;/strong&gt;, it often points to its sweeping impact on medicine, autonomous mobility, creative production, and the evolving rituals of law and civic life. Yet even amid these transformations, we should resist the impulse to treat AI as a clean break with the past, for the imaginaries that animate it are far older than the machines themselves.&lt;sup&gt;&lt;a href=&#34;#1&#34; id=&#34;fn-1&#34;&gt;1&lt;/a&gt;&lt;/sup&gt;&lt;/section&gt;
&lt;p&gt;Long before the first integrated circuit pulsed with electricity, societies from the past contemplated thinking machines in forms that now read like allegories of our contemporary anxieties.&lt;/p&gt;</description>
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