<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>COVID on Keren Wang</title>
    <link>/tags/covid/</link>
    <description>Recent content in COVID on Keren Wang</description>
    <generator>Hugo</generator>
    <language>en-us</language>
    <lastBuildDate>Sun, 14 Sep 2025 21:00:04 +0000</lastBuildDate>
    <atom:link href="/tags/covid/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>Lesson 7: Rhetorical Artifacts</title>
      <link>/teaching/2025/09/teaching-lesson-7-rhetorical-artifacts/</link>
      <pubDate>Sun, 14 Sep 2025 21:00:04 +0000</pubDate>
      <guid>/teaching/2025/09/teaching-lesson-7-rhetorical-artifacts/</guid>
      <description>&lt;header&gt;
&lt;p class=&#34;byline&#34;&gt;Posted by: Keren Wang&lt;/p&gt;
&lt;p class=&#34;intro&#34;&gt;&lt;strong&gt;Before you start this lesson, please READ:&lt;/strong&gt; Berger, Arthur Asa. 2024. &lt;em data-end=&#34;247&#34; data-start=&#34;145&#34;&gt;Media and Communication Research Methods: An Introduction to Qualitative and Quantitative Approaches&lt;/em&gt;. 3rd ed. Chapter 4, “Rhetorical Analysis.” Thousand Oaks, CA: SAGE. &lt;a class=&#34;decorated-link&#34; data-end=&#34;353&#34; data-start=&#34;316&#34; href=&#34;https://doi.org/10.4135/9781071939017&#34; rel=&#34;noopener&#34; target=&#34;_new&#34;&gt;https://doi.org/10.4135/9781071939017&lt;/a&gt;.&lt;/p&gt;
&lt;/header&gt;
&lt;section id=&#34;overview&#34;&gt;
&lt;h2&gt;1. Overview&lt;/h2&gt;
What do you think of when you hear the word “&lt;strong&gt;artifact&lt;/strong&gt;”? In rhetorical scholarship, the term “artifact” is not limited to historical objects or museum pieces. Instead, it encompasses various texts, speeches, symbolic objects, and events produced by humans.
&lt;p&gt;In communication research, one key difference between rhetorical and critical methods and other qualitative research methods is that, while qualitative methods such as interviews, observations, and focus group studies revolve around studying human subjects, rhetorical scholars analyze rhetorical artifacts, or “texts” that have already been produced.&lt;/p&gt;</description>
    </item>
    <item>
      <title>MEDIA &amp; VIOLENCE - A Transnational Perspective</title>
      <link>/blog/2025/04/media-violence-a-transnational-perspective/</link>
      <pubDate>Mon, 14 Apr 2025 18:23:19 +0000</pubDate>
      <guid>/blog/2025/04/media-violence-a-transnational-perspective/</guid>
      <description>&lt;p&gt;Lesson Module by Keren Wang, updated 4 Nov 2025.&lt;/p&gt;
&lt;div class=&#34;scom2050-lesson&#34; style=&#34;font-family: system-ui,-apple-system,Segoe UI,Roboto,Helvetica,Arial,sans-serif; line-height: 1.55; max-width: 880px; margin: 0 auto;&#34;&gt;
&lt;p&gt;This lesson module examines the contested and ambivalent relationship between media and violence from historical and transnational perspectives.&lt;/p&gt;
&lt;img alt=&#34;&#34; class=&#34;aligncenter size-full wp-image-927&#34; height=&#34;718&#34; src=&#34;/images/uploads/2025/04/MEDIA-VIOLENCE-a-transnational-perspective-heading.gif&#34; width=&#34;1280&#34;/&gt;
&lt;/div&gt;
&lt;div class=&#34;scom2050-lesson&#34; style=&#34;font-family: system-ui,-apple-system,Segoe UI,Roboto,Helvetica,Arial,sans-serif; line-height: 1.55; max-width: 880px; margin: 0 auto;&#34;&gt;
&lt;h2&gt;&lt;span style=&#34;color: #00ccff;&#34;&gt;1. Violence as Ritual &amp;amp; Power: Historical and Global Perspectives&lt;/span&gt;&lt;/h2&gt;
Let&#39;s open this session with a reference from Greek mythology: consider the telltale of Prometheus, whose theft of fire from the Olympian gods for humanity’s benefit inadvertently brought both civilization and destruction. Like Prometheus’s fire, the development of media technology simultaneously brings enlightenment and cataclysm.
&lt;h4&gt;&lt;span style=&#34;color: #99ccff;&#34;&gt;1.1 Rhetorical Artifacts and Human Sacrifice&lt;/span&gt;&lt;/h4&gt;
The history of the development of writing technology overlaps with the history of war propaganda and &lt;a href=&#34;/blog/2020/10/nca-2020-virtual-convention-presentation-logographic-inventions-of-violent-rituals/&#34;&gt;human sacrifice&lt;/a&gt;.&lt;sup&gt;&lt;a href=&#34;#fn1&#34;&gt;[1]&lt;/a&gt;&lt;/sup&gt; As early as the Narmer Palette, one of the earliest hieroglyphic artifacts ever found from circa 3200 BCE depicting scenes of conquest and violence:
&lt;div class=&#34;wp-block-image&#34;&gt;&lt;img alt=&#34;&#34; class=&#34;wpa-warning wpa-image-missing-alt alignright size-large wp-image-881&#34; data-warning=&#34;Missing alt text&#34; height=&#34;537&#34; src=&#34;/images/uploads/2025/04/slide-2-1024x573.jpg&#34; width=&#34;960&#34;/&gt;&lt;/div&gt;
&lt;article class=&#34;text-token-text-primary w-full&#34; data-scroll-anchor=&#34;true&#34; data-testid=&#34;conversation-turn-18&#34; dir=&#34;auto&#34;&gt;
&lt;div class=&#34;text-base my-auto mx-auto py-5 [--thread-content-margin:--spacing(4)] @[37rem]:[--thread-content-margin:--spacing(6)] @[70rem]:[--thread-content-margin:--spacing(12)] px-(--thread-content-margin)&#34;&gt;
&lt;div class=&#34;[--thread-content-max-width:32rem] @[34rem]:[--thread-content-max-width:40rem] @[64rem]:[--thread-content-max-width:48rem] mx-auto flex max-w-(--thread-content-max-width) flex-1 text-base gap-4 md:gap-5 lg:gap-6 group/turn-messages focus-visible:outline-hidden&#34; tabindex=&#34;-1&#34;&gt;
&lt;div class=&#34;group/conversation-turn relative flex w-full min-w-0 flex-col agent-turn&#34;&gt;
&lt;div class=&#34;relative flex-col gap-1 md:gap-3&#34;&gt;
&lt;div class=&#34;flex max-w-full flex-col grow&#34;&gt;
&lt;div class=&#34;min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;amp;]:mt-5&#34; data-message-author-role=&#34;assistant&#34; data-message-id=&#34;ef8e3b62-0ef3-4df3-ae84-07980e2cc1a4&#34; data-message-model-slug=&#34;o3-mini-high&#34; dir=&#34;auto&#34;&gt;
&lt;div class=&#34;flex w-full flex-col gap-1 empty:hidden first:pt-[3px]&#34;&gt;
&lt;div class=&#34;markdown prose dark:prose-invert w-full break-words light&#34;&gt;
&lt;p class=&#34;&#34; data-end=&#34;495&#34; data-start=&#34;0&#34;&gt;Similarly, during the height of the Chinese Bronze Age, also known as the Shang dynasty (c. 1250–1046 BC) produced ritual bronze artifacts at monumental proportions -- such as the 833 kg (1,836 lbs) Houmuwu Ding -- &lt;strong&gt;one of the heaviest bronze vessel from the ancient world &lt;/strong&gt;-- and the 13-foot (3.96 m) tall Sanxingdui bronze tree (c. 1200 BC):&lt;/p&gt;</description>
    </item>
  </channel>
</rss>
